Sal Nunziato over at the Burning Wood blog went gaga over this reissue a couple of weeks ago, and he is a bona fide Rundgren afficianato. I think he likes everything Todd ever did, even the recent stuff. But he knows his Todd, and I always liked this debut. Also, I always thought that the first print Ampex copy I own didn't really sound that great. Sometimes it sounds like there's tape wobble changing the pitch of the piano, and there are other problems. I think the spindle hole is too far off center.
This reissue is significantly different from the original pressing (I haven't heard the other reissues). There are new songs. One is Say No More, which seems to serve as an intro to Birthday Carol. It's nothing special. There's also Hope I'm Around, which was on his second album in essentailly the same arrangement. Devil's Bite opens the record in place of Broke Down And Busted (the two songs swap positions on side one). Right from the get-go, the mix on Devil's Bite is vastly superior to the original. We Gotta Get You A Woman also sounds better, but not enough to buy this record.
But here's the coolest thing. I always loved the three song medley of Baby Let's Swing/The Last Thing You Said/Don't Tie My Hands. On this new version, the songs from the medley are each presented as separate songs, and both Baby Let's Swing and The Last Thing You Said have additional verses not included in the medley. It is a treat to hear the three of them, and the medley is on the flip side of the We Gotta Get You A Woman 45 that accompanies the LP, so you get that too.
But I have to say that having heard this version, I'd be OK without it. I mean really, how bad did I need to have this version of a record I have enjoyed for 50 years? Then again, the sound of the mix is certainly an improvement on the original. Any way you cut it, it is an excellent record, and this new one sounds much better than the original. But I won't be changing my basic opinion of reissues in general, and it'll probably be a while before I break the rules again.
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