It is the interplay of this tight outfit, and Elton's rocking piano, that make the record so special. Elton still had plenty to prove at this point. His songwriting was never a question, but this was his first American tour, and the band plays like it is now or never. Murray's bass lines are all over the place, almost a bass/lead instrument, and Olssen's drumming is equally wild and ferocious. And Elton plays like a man simultaneously possessed by Little Richard and Jerry Lee Lewis. Piano can rock. Here's all the proof you need.
Take Me To The Pilot starts things off in fine form, followed by Honky Tonk Woman, on which the trio sings some knock-out harmonies, and John rips the piano to shreds. The slow burner Sixty Years On turns incendiary, and Can I Put You On keeps the rocking front and center. Side two features an eighteen-minute Burn Down The Mission, that includes bits of Arthur Crudup's My Baby Left Me and The Beatles Get Back.
Elton never did this same thing again, and a little over a year later, guitarist Davey Johnstone was a full-time band member. John's live performances became more sophisticated, but never really recaptured the raw power of this dynamic trio.
