Monday, August 28, 2023

P. Hux As Good As Advertised 2023

Parthenon Huxley has been around since the early eighties producing finely crafted power pop, as well as completing two stints (1999-2007, 2011) with ELO Part 2/The Orchestra, the touring band that kept ELO alive after Jeff Lynne departed. You can hear how Huxley would do a fine job with Lynne's vocal parts with ease. Plus he's a talented guitarist.

The P. Hux albums have all been great power pop gems, and this one is no exception. A highly capable writer, Huxley pens hooky tunes with smart lyrics and melodies that sound familiar but are hard to place. He has an outstanding voice and as mentioned, plays hot and tasty guitar. Add to all that a talented band with Dave Phenicie on bass, Ricky Wise on drums, and Daniel Clarke on keyboards. Clarke's piano and organ really add a lot of color to these songs. He decorates the melodies and plays some lead keyboard breaks that add depth to the basic trio sound he admirably expands.

Catchy pop/rock dominates the record, and As Good As Advertised, Til The World Looks Right, Rainbow, This Song Reminds Me Of You, Human Again, and Bitter Tears are all solid, with great vocals, guitar and keyboards, and hooks galore. The ballads are equally strong, with What's It Gonna Take, Sad About The Boy and Uncivil War all keeping the quality high. Uncivil War could be about a disappointing relationship or maybe its about the political polarization of our country. It works both ways. Finally, Mister Black Sky answer's the old ELO hit and includes some of that Jeff Lynne reverb on Huxley's vocal. There isn't a weak song on the disc.

This is about as good as modern rock/power pop gets. Lots of bands have done this gig in the past and many continue today, but nobody does it any better than Parthenon Huxley.

Monday, August 21, 2023

Lucinda Williams Lu's Jukebox Six Releases 2021-2022

From October through December 2020 during Covid lockdown, Lucinda Williams performed a series of live in the studio sets for streaming, with proceeds going to music venues financially hit by closed doors. She ended up doing six of them altogether, and each night was a themed concert featuring cover versions. CDs of the performances were released in 2021 and 2022. The idea is certainly cool, and Lucinda most likely drew a good deal of ticketed streaming. I'll take them in the order they were released.

Lu's Jukebox Vol. 1 – Runnin' Down a Dream: A Tribute to Tom Petty is a pretty good show, and Williams clearly loves the Southern connection she shares with Petty, and hits on quite a few of his Southern themed songs. Lucinda sounds great, and the band is solid. Rebels, Runnin' Down A Dream, Louisiana Rain, I Won't Back Down, and You Know How It Feels are highlights, but there are none of his early rockers that I love, so it's not the set I would have wished for. And no Magnolia? You may like it more than I did.

Lu's Jukebox Vol. 2 – Southern Soul: From Memphis to Muscle Shoals is a great set that plays to Lucinda's strengths. There's not a misstep anywhere. Ode To Billie Joe, I Can't Stand The Rain, It Tears Me Up, Rainy Night In Georgia, all have Williams digging deep into her soulful delivery. Games People Play, Take Me To The River, and Williams' own Still I Long For Your Kiss are also highlights, but every song is a winner. If I had to pick just one of these Jukebox releases, this is the one.

Lu's Jukebox Vol. 3 – Bob's Back Pages: A Night of Bob Dylan Songs isn't the thrill it seems like it should have been. I can't really pinpoint why it was a disappointment for me, but it was. Song selection wasn't always great, and even some of the ones that sound like a great idea for Lucinda were just not that exciting. It Takes A Lot To Laugh, It Takes A Train To Cry was my favorite, but not much else wowed me.

Lu's Jukebox Vol. 4 – Funny How Time Slips Away: A Night of 60's Country Classics seems like a great idea, especially after the success of Vol. 2. I can't say I was thrilled with the song selection, and the band, with too much pedal steel guitar, sounds like a cover band from anywhere. Lucinda sings most of it well, but even Night Life, Long Black Limousine, Gentile On My Mind, and the title track are just not great deliveries.

Lu's Jukebox Vol. 5 – Have Yourself a Rockin' Little Christmas with Lucinda is a huge letdown. Not really a surprise when the artist is known for material ranging from melancholy to downright sad (and occasionally bitterness) but a letdown all the same. Santa Claus Wants Some Lovin' is fun, and a few others should be, but Lucinda's delivery just doesn't have the lighthearted positivity that these songs beg for.

Lu's Jukebox Vol. 6 – You Are Cordially Invited...A Tribute to the Rolling Stones ends the series on a high note. She sticks to the great sixties/early seventies material the band is famous for, and anger is a very good match for her voice. And the band rocks. Early songs Satisfaction, The Last Time, Get Off My Cloud, Paint It Black are great. Street Fighting Man, You Gotta Move, Sway, and You Can't Always Get What You Want rock hard and Lucinda tears 'em up.

Vol. 1, Vol. 2, and Vol.6 are recommended. You may like the others more than I did, but only if you think she can do no wrong, or maybe if you just can't get enough Dylan.