Manuel Galban starred in
Buena Vista Social Club 1998, Ry Cooder's movie and recording collaboration with some of the stars of Cuban music's glorious past. I liked
Buena Vista Social Club enough, but this 2001 follow-up collaboration is even better. Galban's technique, thick with effects, melodic and sneakily jazz-pop, is unique in all of guitar stylists. He's really like nothing you've ever heard. Lind of like Duane Eddy grew up in Cuba playing in jazz bands. The record is all instrumental except for one song, and the freedom of this small combo allows some of the most beautiful guitar interplay to unfold naturally and gracefully. Cooder is a consummate duet partner, and Galban, well, we're just lucky to have this document of his fascinating approach to the instrument.
Ry Cooder himself probably said it best when he said "Galbán and I felt that there was a sound that had not been explored, a
Cuban electric-guitar band that could re-interpret the atmosphere of the
1950s with beauty, agility, and simplicity. We decided on two
electrics, two drum sets, congas and bass: a sexteto that could swing
like a big band and penetrate the mysteries of the classic tunes. This
music is powerful, lyrical, and funny; what more could you ask?"
No comments:
Post a Comment