Saturday, March 30, 2024

Kelly Willis, Melissa Carper, Brennen Leigh Wonder Women of Country 2024

Three talented country singers, songwriters, and musicians team up to capitalize on their combined talents. And it came out really well. The EP has six songs, including two Kelly Willis lead vocals on songs she wrote, several co-writes by Carper and Leigh, and one John Prine song.

They can all sing, and they harmonize wonderfully. Brennen Leigh is a hot guitarist and Melissa Carper is solid on upright bass. Kelly Willis plays fine rhythm guitar. And they write good songs. I'm a big fan of Kelly Willis myself, but all three have successful solo careers and sound great. Leigh's Fly Ya To Hawaii is big fun, Willis' Another Broken Heart and A Thousand Ways stand with her best work, and Carper's Won't Be Worried Long is a lovely classic country weeper with a positive spin. John Prine's I Have Met My Love Today gets a spare production and beautiful harmonies.

They're touring the midwest, south and even Massachusetts this spring. I know you'll have a good time. CD, vinyl and downloads available.

Monday, March 25, 2024

Lance Cowen So Far, So Good 2024

Every once in a while, an artist arrives fully formed with a perfect debut. This is Lance Cowen.

Cowen has worked for years as a successful and respected Nashville publicist for a wide range of artists and songwriters. He's also written songs on his own and with writing partners, some of which have been recorded by others. And now, in his sixties, we get his first record.

And it is just beautiful. Cowen has a high tenor reminiscent of John Denver (without the treacle) and he is surrounded by a crew of great musicians: Sam Bush (mandolin), Pat Flynn and Mark Elliot (guitars), Andrea Zonn (violin), Pat McInerney (drums), Dave Pomeroy and Jay Turner (bass), Dan Dugmore (pedal steel, dobro, piano), Jim Hoke (accordion) and Julie Lee (vocals). No less than six seasoned producers would seem unlikely to produce a record with a unified sound, but that is exactly what we get.

The sound of the record recalls the late Guy Clark's records. Acoustic instruments, deceptively spare arrangements, clean recording, all with Cowen's expressive voice up front that makes these gems seem like the band is playing live in your living room.

And then there's the songs. Cowen combines the wit and insight of Guy Clark and John Prine, the ability to capture the emotional core like Jackson Browne, and the portraiture of a fine painter. The portraits are some of the highlights. Little Johnny Pierce captures a sixties peace lover that lawnmowers a peace sign into the front yard, Currently Red is a sweetly sentimental biography of a quirky journalist, and Mr. Ben McGhee follows a charming older man into his last chapter.

A trainman more at home on the tracks than anywhere else features in Sound Of My Home. A sweetly kind and humorous portrait of a hoarder is A Place For Everything. So Far, So Good sounds like an autobiography of the solo artist on the road.

And then he writes some beautiful songs of love, heartbreak, and loss. This Heart Of Mine is a perfect song of heartache, and For You is a sweet ballad that is just breathtaking and includes a reference to "the shade of the family tree" that only a great lyricist could write. The Letter (sung by Julie Lee in a fabulous cameo) is a sad lament for a fading long distance relationship.

Finally, Fields Of Freedom is one of the most poignant songs of war I have ever heard. The chorus goes like this: She said “Freedom I feel, It’s the flowers in the field, That no one marches over. Here in the sunlight of a German afternoon, I found a field of flowers in full bloom”.

Sam Bush and Dan Dugmore add color and beauty to everything they touch. They are clearly inspired by Cowen's melodies, which sometimes sound familiar (but not stolen), like a old worn coat. 

Every once in a while, an artist arrives fully formed with a perfect debut.

Thursday, March 14, 2024

The Raspberries Pop Art Raspberries Live 2017

 
The Raspberries. Four solid records from 1972-1974, one great "Best Of" in 1976, not long after they called it quits. Over the years they gained respect and admiration as one of the original purveyors of the Power Pop genre, along with Big Star, Badfinger, and a few others. 

Eric Carmen went on to a successful, albeit schmaltzy, solo career, and had hits with All By Myself and several big movie soundtrack songs.

And then, thirty years after the break-up, they reformed in 2004 and continued for a brief tour in 2005. Live On Sunset Strip from 2007 documents that tour's Los Angeles shows, and was released as a single CD with 13 tracks as well as a 21 track 2 CD plus DVD version. It's a solid show, and if you have it, you might not need Pop Art. It's the same tour.

The first night of the reunion was in November 2004 at the opening of the House of Blues Cleveland, and it is that show in front of a rabid hometown crowd that Pop Art documents. Available as a 2 CD, 28 track version and a 3 LP, 30 track (Record Store Day) version that includes two encores, it holds some material not captured at the Sunset Strip shows. There's two songs from the pre-Raspberries band The Choir, including regional hit It's Cold Outside. There's also three well-chosen Beatles covers: Baby's In Black, Ticket To Ride, and No Reply. Of course all the hits are here, but the show also reminds you how many good album tracks filled out their records.

The band is super tight, and augmented by three guitarists/keyboardists/singers, they can do it all to perfection. Eric Carmen and Wally Bryson are in good voice, and the harmonies are spot on. Special mention to Jim Bonfanti, a killer drummer that lights up the set. The recording is good, and there's not too much crowd noise. I'm not a huge fan of band reunions, and many times they can be downright embarrassing, but not this one. They were always an excellent live band, and three decades after their heyday, they were still on top of their game.