Between Elton John 1970 and Captain Fantastic and the Brown Dirt Cowboy 1975, Elton made nine records that were either darn good or great. Then, around 1975-1976, quality dropped off. Rock of the Westies was pretty bad, and Blue Moves could have been a decent single disc, but didn't impress as a double album. I liked it, but even I have had to reexamine my opinion, and it isn't the last great one I once thought it was. But I still love side three.
Between A Single Man 1978 and The Big Picture 1997, Elton made fourteen unsatisfying records. There were almost always one or two keepers, but as albums, it was a very rough period, and it lasted 20 years. A few of them showed potential, and several were just awful.
Then in 2001 came Songs From The West Coast. A stellar return to form, and sounding similar to his seventies greats, it contained a whole bunch of great songs in I Want Love, This Train Don't Stop Here Anymore, Original Sin, Dark Diamond, Birds, Love Her Like Me, and Ballad of the Boy in the Red Shoes. You could listen to the whole thing.
Peachtree Road 2004 came very close to matching Songs From The West Coast, with Weight of the World, Answer In The Sky, All That I'm Allowed, and Turn The Lights Out When You Leave.
The sequel to Captain Fantastic and the Brown Dirt Cowboy, The Captain and the Kid 2006 kept the quality high, and remarkably almost matched the original in it's ability to write Bernie Taupin's and Elton John's musical biography.
2010 saw the release of The Union with Leon Russell. The two record set, unfortunately produced by T-Bone Burnett, was light on great songs, and had a thick, overly layered, sound that didn't help. Like so many other two-record affairs, it would have been a really fine single disc.
The Diving Board 2013 saw T-Bone Burnett return to the producer's chair, but instead of the big production and millions of players on The Union, most of the record is recorded by piano, bass and drums trio, with occasional additional keyboards. A Town Called Jubilee, Mexican Vacation, The Ballad of Blind Tom, and Can't Stay Alone Tonight were all good, and so was most of the rest.
Finally, in 2016, Elton gave us Wonderful Crazy Night. Strong songs include In The Name of You, Tambourine, Blue Wonderful, Looking Up, and the title track. T-Bone Burnett stays out of the way for a record featuring the touring band and a bunch of good songs. Again, you can listen to the whole thing without needing to fast forward. Pretty amazing after making records for something like fifty years.
I'll skip the Pnau remix album Good Morning to the Night 2012 (it's remixes, and it sold well), the duets record The Lockdown Sessions 2021 (has anyone made a great duets record?) and Regimental Sgt. Zippo 2021 (recorded in 1967 before even Empty Sky, and never released, for good reason).
Given the dearth of good records for some twenty years, Elton John has made a miraculous recovery in this century. If you liked his early work and wrote him off somewhere in the eighties, you should give him another shot. The last twenty years have been darn good for Elton John, and his fans.
Bro, for me he never made a better album than Tumbleweed Connection.
ReplyDeleteAfter a recent reevaluation of Goodbye Yellow Brick Road, I'd say my top five are Tumbleweed Connection, 11-17-70, Honky Chateau, Captain Fantastic and the Brown Dirt Cowboy, and Songs From The West Coast. You really should hear Songs From The West Coast. It's not Tumbleweed Connection, but it is among his finest work.
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